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Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles., "Mr Lawrence would represent the voyage to the West Indies as beautiful, wonderful, and indeed magical, as an Arabian Nights dream," said Lucy. "But you did not tell me of cockroaches, sir," she added with a smile, and with one of those looks which in her seemed a brooding or dwelling of the eye, though if judged of its effect by time the look was scarcely more than a glance; yet this was[Pg 105] the consequence of the peculiar beauty of her heavy lids rendered yet more languid by the fringes through which the large dark brown orbs of vision directed their gaze. "And you said nothing about the beef blue with salt which creates thirst before it is tasted.", "What next?".